Brett Littman / Shakkei Consulting
Bio
30+ years of experience leading and financially strengthening museums, cultural institutions and galleries with a proven track record driving fundraising, capital projects, entrepreneurial initiatives, board evolution, and exhibitions and programs that engage diverse artists, patrons and audiences.
Brett Littman is the Director of Shakkei Consulting (“borrowed landscape” in Japanese) a consulting firm that develops organizational specific strategy and solutions to complex curatorial, management, programmatic, operational, entrepreneurial and legacy issues.
He was the Senior Director, US of Carpenters Workshop Gallery from 2024 - 2025, Director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York from 2018 – 2023; Executive Director of The Drawing Center from 2007–2018; Deputy Director of MoMA PS1 from 2003–2007; Co-Director of Dieu Donné Papermill from 2001–2003 and Associate Director of Urban Glass from 1996–2001.
Littman’s interests are multi-disciplinary and he has personally curated more than thirty-five exhibitions focusing on visual art, outsider art, craft, design, architecture, poetry, music, science, and literature. He was named the curator of Frieze Sculpture at Rockefeller Center for 2019 and 2020. He is also an art critic, lecturer, active essayist for museum and gallery catalogues and writes for a wide range of U.S. and international art, fashion, and design magazines.
A native New Yorker, Brett Littman received a Chevalier of the Order of Arts and Letters from France in 2017 and his B.A. in Philosophy from the University of California, San Diego.
ShakkeiCV
CuratorialWriting
Lectures
Press
Awards and Grants
Professional Memberships, Juries, Teaching, Boards
Blog
Writing
- Essay, Social Energies NY, for publication about Trash to Beauty, Peccioli, Italy, Fall 2025
- Essay, Arboretum of the Mind, Leiko Ikemura, Motherscapes, Albertina Museum, Vienna, September 2025
- Essay, Manhattan Project: The Photography of Jan Staller, 5 Continents, Milan, Italy, June 2025
- Interview, Stochastic, Jeff Zimmerman: Glass Light Space, R and Co and Monacelli Press, March 2025
- Essay, Trash to Beauty: A Case Study of Peccioli, Italy, February 2023, Italian Cultural Center, NY
- Essay, Kohei Nawa, How to make a Sandwich, Sandwich, Sandwich INC, Japan, October 2023
- Article, Cosmic Graveyard, Domus, January 2023 issue
- Essay, Kohei Nawa, Aether, Pace Gallery September 2022
- Essay, Atavistic, Vicky Usle, Light and Passage, July 2022
- Essay, Archives of the Mind, Neo Rauch, The Holdings, Grafikstiftung Neo Rauch, June 2022
- Editor, Susan Hefuna: Drawing Everything, The Drawing Center, 2021
- Interview with Alexis Rockman, Shipwrecks, Guild Hall and DelMonico Books, March 2021
- Essay, Down the Rabbit Hole, Karen LaMonte, Rizzoli, August 2020
- Essay, Animated Abstraction, Thaddeus Mosely, Karma, NY, February 2020
- Article, Environments of Leisure, L’Officiel, Paris, September 2019
- Interview with Billy Martin and Marc Ribot, Digital Pompei, Gagosian Magazine, June 2019
- Interview, Lee Ranaldo: Lost Highways, Gagosian Magazine, May 2019
- Essay, Neo Rauch: Aus dem Boden/From the Floor, Drawing Papers 138, The Drawing Center, September 2018
- Essay, Hipkiss: Bulwark, Drawing Papers 136, The Drawing Center, NY, April 2018
- Essay, The Projective Drawing, Austrian Cultural Forum, NY, February 2018
- Interview with Chef Daniel Humm and Brad Cloepfil; Elemental, Gagosian Magazine, February 2018
- Interview with Ghada Amer and Reza Farkendoh, Love is a Difficult Blue, Goodman Gallery, South Africa, March 2018
- Introduction, Judith Bernstein: Cabinet of Horrors, Drawing Papers 133, The Drawing Center, October 2017
- Essay, Resonant Spaces, Hood Museum Dartmouth, September 2017
- Interview with John Currin, “Drawing is a like a first date,” Gagosian Magazine, September 2017
- Essay, Mythologies: Eugene Von Bruenchenhein, John Michael Kohler Arts Center, Sheboygan, WI, June 2017
- Interview with Daniel Senise for exhibition at Nara Roesler Gallery, Sao Paulo, Brazil, April 2017
- Essay, Jackson Mac Low: Lines – Letters – Words, Drawing Papers 131, The Drawing Center, January 2017
- Essay, “Early Warhol Drawings,” for Andy Warhol: Ad Man at the Art Gallery of New South Wales, Sydney, Australia, December 2016
- Interview with Martin Wilner, Case Histories published by The Freud Museum, London, UK, November 2016
- Essay, Critics Page, John Perreualt, Brooklyn Rail, November 2016
- Interview, Olaf Bruening: Drawings, Verlag für moderne Kunst, Austria, September 2016
- Essay, Gabriel de la Mora: Sound Inscriptions on Fabric, Drawing Papers 127, The Drawing Center, July 2016
- Essay, Jennifer Bartlett: Hospital, Drawing Papers 125, The Drawing Center, January 2016
- Interview, Louise Despont: Energy Scaffolds and Information Architecture, Drawing Papers 124, The Drawing Center, January 2016
- Interview, Alexis Rockman, zingmagazine, Dec 2015
- Essay, Richard Pousette-Dart: 1930s, Drawing Papers 122, The Drawing Center, October 2015
- Essay, Dust: Plates of the Present, Blonde Art Book, September 2015
- Essay, Paolo Canevari’s Souvenir , Olnick Spanu Art Program, September 2015
- Essay, Gustavo Bonevardi: Fictions, Cecilia Del Torres LTD, New York, May 2015
- Interview, Duane Zaloudek: Early Work, Monitor Gallery, Rome, April 2015
- Interview with Ellen Altfest, Will Cotton, and Alex Katz for Portraits from the Ecole des Beaux Arts Paris, Drawing Papers 121, The Drawing Center, April 2015
- Entry for Tatiana Trouve, Drawing Now, Albertina, Vienna, July 2015
- Essay, Xanti Schawinsky: Head Drawings and Faces of War, Drawing Papers 119, The Drawing Center, September 2014
- Introduction, Len Lye: Motion Sketch, Drawing Papers 115, The Drawing Center, April 2014
- Introduction, Lebbeus Woods, Architect, Drawing Papers 114, The Drawing Center, April 2014
- Interview, Ferran Adrià: Notes on Creativity, Drawing Papers 107, The Drawing Center, January 2014
- Essay and Editor, David Lynch Naming, Kayne Griffin Corcoran Gallery, LA, November 2013
- Editor, Matias Duville Alaska, Books 1, 2, 3, The Drawing Center, November 2013
- Essay, Susan Hefuna, Pars Pro Toto III, edited by Hans Ulrich Obrist, November 2013
- Introduction, Alexis Rockman, Drawings from the Life of Pi, The Drawing Center, September 2013
- Essay, Mariko Mori: Rebirth at Japan Society, Yale University Press, September 2013
- Interview with Alex Katz, Beneath the Surface, MIMA, UK, July 2013
- Essay, Daniel Brush: Blue Steel Gold Light, Museum of Art and Design, NY, September 2012
- Essay, Philippe Vandenberg / Berlinde De Bruyckere: Innocence is precisely never to avoid the worst, Skira, Italy, June 2012
- Interview, Ryan McGinness, Flatt, Issue No. 3, Spring/Summer 2012
- Essay, Sean Scully: Change and Horizontals, Drawing Papers 99, The Drawing Center, NY 2012
- Interview, A Line is a Line For All That, Brett Littman and Lawrence Weiner, MiMA, UK, February 2011
- Essay and catalog entries. Eugene Von Bruenchenhein: Freelance Artist – Poet and Sculptor – Inovator – Arrow Maker and Plant Man – Bone Artifacts Constructor – Photographer and Architect – Philosopher, American Folk Art Museum, New York, 2011
- Essay, Drawing and its Double / Decalogo, Drawing Papers 98, The Drawing Center, New York, 2011
- Review, Roving Eye, Count the Ways, Art in America, June 20, 2011
- Article, Roving Eye, The Plane Crash, Art in America, June 10, 2011
- Review, Roving Eye: Hilary Lloyd Takes on Artist Space, Art in America, June 3, 2011
- Essay, Matias Duville: Future Memories, Working Process column, Modern Painters, June 2010
- Interview with Brendan Earley, Small Fires Started Daily, A Philosopher’s House, Mother’s Tankstation, Dublin, Ireland, 2010
- Essay, Leon Golub: Live & Die Like a Lion?, Drawing Papers 89, The Drawing Center, New York, 2010
- Article, The Art Newspaper 197, “Who Owns Museum-Commissioned Work,” op-ed, December 2008
- Essay, Paolo Canevari, Decalogo, Electra, Rome, Italy, 2008
- Essay, Greta Magnusson Grossman: Furniture and Lighting, Drawing Papers 81, The Drawing Center, New York, 2008
- Essay, Yuksel Arslan: Visual Interpretations, Drawing Papers 78, The Drawing Center, New York, 2008
- Interview, Alexis Rockman, Weight of Air, The Rose Museum of Art, Waltham MA, 2008
- Interview, Norman Mooney and Ran Ortner, Falling Short of Knowing, Milk Gallery, NY, 2008
- Interview, James Busby: White, Stephen Stux Gallery, New York, 2007
- Curated John Kessler Swans and review of Gregory Crewdson’s Fireflies, Blackbook, Art Issue, October 2006
- Interview, "The Danes: Contemporary Glass at Heller Gallery", Heller Gallery, NY, 2006
- Article, Thomas Demand’s Education, Art on Paper, March/April 2005 (cover story)
- Select catalog essays for Greater New York 2005, MoMA PS1, New York, 2005
- Essay, In Search of the Scandinavian Object, ReForm, Arvinus, Sweden 2005
- Interview, Glenn Ligon Lab Grant, Dieu Donné Papermill, New York, October 2004
- Article, Ernesto Caviano’s World, Art on Paper, July/August 2004
- Interview with Shigeru Ban, Art on Paper, May/June 2004 (cover story)
- Article, Collaborations, Meaning #2. March 2003
- Article , Gallery Walk: Helsinki and Stockholm, Art on Paper, December 2002
- Article, The Grey Cloth, GLASS 88, Winter 2002
- Reviews, Doug Jeck and Richard Millete, American Ceramics,June 2002
- Catalog essay , Jim Hodges Lab Grant, Dieu Donné Papermill, New York, May 2002
- Review, Helen Frankenthaler at Knoedler and Company, Art on Paper, , March /April 2002
- Article, The Magnificent Glass Dresses of Karen LaMonte, GLASS 86, Spring 2002
- Review, Tom Friedman at The New Museum, PULP 36, January–March 2002
- Review, Frank Gehry: Architect, Object 3/01, September 2001 (cover story)
- Article, Report from Milan, Object 2/01, July 2001
- Article, Ted Noten: Decoration Deconstructed, Metalsmith 27.5, p. 44–53 (cover story)
- Editor, The Design Issue, GLASS 85, Winter 2001
- Essay, Emire Konuck, Gallerie Nev, Turkey, June 2001
- Essay, AusGlass: An American Perspective, Craft Arts, June 2001
- Review, Jessica Loughlin: Landscapes, GLASS 83, Summer 2001
- Review,, Allan McCullom, “The Event,” GLASS 82, Spring 2001
- Review, Maya Lin: Between Art and Architecture, GLASS 81, Winter 2000
- Article, Sugahara for the Masses, GLASS 81, Winter 2000
- Article, Susan Rowland, Forces of Nature, East Hampton Star, Arts Section, Oct 19, 2000
- Article, Lyrical Landscape, East Hampton Star Arts Section, September 7, 2000
- Article, Swedish Peep Show: Per S. Sundberg, GLASS 80, Fall 2000
- Article, Millennium Marbles, GLASS 79, Summer 2000
- Reviews, Cindy Sherman/Eunice Golden, East Hampton Star, Arts Section, August 24, 2000
- Review, 33rd Annual Springs Invitational, East Hampton Star, Arts Section, August 17, 2000
- Review, Barbara Bloom at the Parrish Museum, East Hampton Star, Arts Section, August 10, 2000
- Review, Dale Chihuly at the Long House, East Hampton Star, Arts Section, July 13, 2000
- Article, New Talent for the Millennium, GLASS 78, Spring 2000,
- Review, A Sense of Calm. Fairfield Porter, East Hampton Star, Arts Section, April 20, 2000
- Review, James Brooks Revisited, East Hampton Star, Arts Section, March 23, 2000
- Review, Arthur Carter’s New Sculptures, East Hampton Star, Arts Section, February 14, 2000
- Review, Global Glass: Chihuly in the Light of Jerusalem, GLASS 77, Winter 1999
- Article, International Interelations, GLASS 77, Winter 1999
- Article, Global Glass: Swedish Triennial, GLASS 76, Fall 1999
- Article, Short Take: Mark Ferguson, Summer 1999, GLASS 75
- Article, Response: Broken Is Not All It Is Cracked Up to Be, GLASS 74, Spring 1999
- Article, Tokyo Ga-Ga, GLASS 72, Fall 1998
- Review, Bing Hu, GLASS 71, Summer 1998
- Review, Christopher Wilmarth’s Glass Poems, GLASS 71, Summer 1998
- Review, Josiah McElheny, GLASS 70, , Spring 1998
- Review, Lino Tagliapietra, GLASS 69, Winter 1997
- Review, Michael Glancy, GLASS 68, Fall 1997
- Review, Christopher Wilmarth, GLASS 67, Summer 1997